4/18/2013 at
Musichead in Medford, OR
I’ve
been a Michale Graves fan since the singer first surfaced fronting horror punk
legends The Misfits during their comeback era starting in 1996. Graves took
over vocal duties from Glenn Danzig, adding a flair and precision that
complimented the revamped bands’ style and, along with his songwriting
abilities, helped to elevate them to a new level. The Misfits became an
“anthem” band with Michale Graves, separating them from the many other 1970’s
punk rock acts also resurfacing at the time. After two records with the band
(1997’s “American Psycho” and 1999’s “Famous Monsters”) Graves was released
from vocal duties with The Misfits, and wasted no time in putting his own
project together. The phenomenal “Web Of
Dharma” album was released on his own label in 2002, showcasing Michale’s
songwriting with now-classic songs like “Casket”, “Shoestring”, and “Ophelia”,
and garnering him a whole new legion of fans. Michale Graves hasn’t stopped
making music since, and every release has been full of great songs, terror-ific
guitar hooks, and infectious melodies. His work with the band Gotham Road
yielded the excellent “Seasons Of The
Witch” album, and releases with his own band, “Punk Rock Is Dead” and “Return
To Earth” have shown fans that he has no shortage of great punk songs
waiting to be unleashed on the unsuspecting world. In 2006 Graves released an acoustic album in
collaboration with Damien Echols (one of the infamous West Memphis Three)
called “Illusions” that was a
haunting and different musical turn for the artist. A tour followed, which
spawned the live CD “Illusions
Live/Viretta Park” in 2008. After a break, during which time he worked with
Marky Ramone’s band Blitzkrieg, Michale Graves has returned with a new album, “Vagabond”, marking a new musical
milestone in his career. Not quite a punk rock album and not just a rock
record, the new material lies somewhere in-between, and shows a new evolution
in Michale’s songwriting skills.
On April 18th, 2013,
Michale Graves’ Vagabond Tour stopped
in Medford, OR to rock the rather small audience with a fantastic, if
unexpected, set list. The only Oregon stop on the tour, it was a special night
for fans of Graves and his material from all stages of his career. As he and
his band (Johnny B. Morbid on bass and Tony Baptist on drums) hit the stage,
they treated us to several new tracks from the “Vagabond” album. Opening their set with “All The Hallways”, the
first track off of the new release, the band rollicked through such songs as
“Hold Onto Yesterday” and “Break Me Out” before playing some older classics
like “Shoestring”, “Blackbird” and “Iridescent White Light”. While Baptist and
Morbid took a break, Michale broke out his acoustic guitar and treated us to
stripped-down versions of “Dig Up Her Bones” and “Cryin’ On A Saturday Night”.
Soon the other members returned to the stage and the new Michale Graves Band
line-up tore through a set consisting of mostly his Misfits-era material,
including “Scream!”, “The Shining”, “Descending Angel”, “Lost In Space”,
“Crawling Eye”, “Fiend Club” and “Scarecrow Man”. Michale and his band gave the
performance so much energy it was uncanny, treating the smaller audience and
venue as though they were playing their last show ever. It was a close
substitute for actually being at a Misfits show in the mid-nineties, and the
crowd went wild. Moshing, screaming, and singing along to every song, the local
punks tore up the floor. It was a diverse and amazing show, with Graves playing
songs from every segment of his career. Surely it was enough to satisfy both
fans of his Misfits work and his solo career.
On a personal note, I would have
preferred him to play more material from the new “Vagabond” CD as well as a few of my favorites from the “Punk Rock Is Dead” and “Return To Earth” albums in exchange for
some of the Misfits tracks. I had seen The Misfits four times while Michale was
with the band, so I feel as though I’ve seen those songs performed enough
already. A minor gripe, though, as I had a blast at the show and loved every
minute of it!
After
the show, Michale and band hung around to meet fans and sign autographs. I had
him sign a slew of stuff, and he was nice enough to take a picture with me and
chat for a few minutes. This was the third time he’s played Musichead in
Medford, and the crowd seems to grow larger each time, so we can only hope that
he’ll be returning soon to play his unique breed of soulful horror-themed
anthems for us. Until then, We Are The
Fiend Club!
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